Monograffi Fine Art Galleries ~ Neue Sachlichkeit ~
Within a year of Gustav Hartlaub's Die Neue Sachlichkeit
exhibition a homogenous style emerged
throughout Germany. Even artists who are
normally associated with Verism adopted this new
style which became acceptable to
professional and wealthy patrons. Neue
Sachlichkeit and Magic Realism are seen to
overlap to a certain extent, yet as some
paintings exhibiting improved clarity and
realism some of the "magic" seems to
have been
lost.
Sonja (1928) by Christian Schad
Mädchenbildnis
(1927) by Erich Ockert
Composer
Josef Matthias Hauer (1929)
by Christian
Schad
Portait der
Gattin des Malers Franz Theodor Schütt (1927) by Karl Otto Hy
Portrait of painter AM Trankler (1926) by Albert Henrich
Die Braut
(1928) by Barthel Gilles
Telegraph
Operator (c1925)
by Albert
Birkle
Portrait
of Oskar Maria Graf (1927)
by Walter Schulz-Matan
Portrait
Bert Brecht (1926 )
by Rudolf
Schlichter
Frau Plietzsch (1928)
by
George Grosz
Self-Portrait
with Gas Mask (1930) by Barthel Gilles
Portrait of the
Manufacturer Dr Julius Hesse with Paint Sample (1926) by Otto
Dix
Wilhelmshafen
(1929) by Franz
Radziwill
Franzoesisches
Strassenbild (1928) by Wilhelm Schnarrenberger
Stilleben
mit Kartoffeln, Tasse, Zwiebeln by Franz Lenk
Portrait
of Dr. Felix J. Weil (1926) by George Grosz
